Anglais Since 1839... eleven essays on photography (édition en anglais)

À propos

Essays on a range of photographic topics by the recently appointed chief curator of photography at MoMA.

This volume offers a selection of essays by the renowned photography historian Clément Chéroux. Chéroux, appointed chief curator of photography at the Museum of Modern Art (MoMA) in New York in 2020, takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. The texts, published together in one volume for the first time and newly translated into English, reflect the breadth of Chéroux's thinking, the rigor of his approach, and his endless curiosity about photographs.

In this strikingly designed and generously illustrated volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.


Rayons : Arts et spectacles > Arts de l'image > Photographie > Essais / Réflexions / Ecrits sur la photographie


  • Auteur(s)

    Clément Chéroux

  • Éditeur

    MIT PRESS

  • Distributeur

    INTERART

  • Date de parution

    09/11/2021

  • EAN

    9780262045773

  • Disponibilité

    Disponible

  • Nombre de pages

    288 Pages

  • Longueur

    22.9 cm

  • Largeur

    17.8 cm

  • Poids

    567 g

  • Support principal

    Grand format

Infos supplémentaires : Relié  

Clément Chéroux

  • Pays : France
  • Langue : Francais

Clément Chéroux est conservateur pour la photographie au Centre Pompidou. Il a notamment publié "Fautographie, petite histoire de l'erreur photographique" (Yellow Now, 2003), "Henri Cartier-Bresson, le tir photographique" (Gallimard, 2008) et dirigé la publication des catalogues "Le Troisième oeil, la photographie et l'occulte" (Gallimard, 2004), La Photographie timbrée, inventivité visuelle de la carte postale fantaisie (Steidl, 2007) dont il était commissaire. Clément Chéroux est également directeur de la revue Etudes photographiques.

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